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UID:69f5cfa5ac491@scampus.com
DTSTAMP:20260502T101917Z
DTSTART;TZID=Europe/Madrid:20241112T160000
DTEND;TZID=Europe/Madrid:20241112T203000
SUMMARY:Semilleru: ALBERTE BRANCO
DESCRIPTION:
CINEMATOGRAPHIC PHOTOGRAPHY SHOULD CREATE UNIVERSES RATHER THAN ATMOSPHERES.



Organically observe the different worlds around us as training to apply these experiences to the creation of a mechanical image.



Not to remain only with the superficial reading of a script, but to get to investigate what it hides.



Transcode the reading of the script into photographic cinematographic thought. Verbalise the light, position and rhythm of the camera.



Preparing the different phases from a creative and logistical point of view. From pre-production to colour correction or colour grading. Without forgetting the concept of "living film".



Try to choose the most appropriate tools, which will help us to create mechanical images, in accordance with the cinematographic photographic thought developed in each project (camera, lens, lighting, different supports for a dynamic or contemplative camera).

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